#8220;Informative Essay Sample on Philip Larkin and His Poems #8220;

#8220;Informative Essay Sample on Philip Larkin and His Poems #8220; Philip Arthur Larkin was born August 9, 1922 in Coventry England. He attended Saint John’s College, Oxford and graduated with honors in 1943. His first published book of poetry was entitled â€Å"The North Ship,† and released in 1945. Although this book is not considered to be some of his best works in some passages we see glimpses foreshadowing his later more mature style, which showed up in full force with his next volume of poetry called â€Å"The Less Deceived,† published in 1946. This change was accounted to the introduction of Larkin to the poetry of Thomas Hardy who there after became a strong influence in his works from that point on. With this second publishing Larkin became a mar key poet of his generation spearheading a splinter group of poets in what he called â€Å"The Movement.† This was a group of English writers who were disenchanted with the current scene of neo-Romantic writings like that of Yeats and Dylan Thomas. Along with being a respected poet Larkin was also a great fan and critic of American Jazz. His poetry is said to be searing, often mocking, with flagrant wit showing his dark vision of the three universal themes of mortality, love, and human solitude. I feel the two poems I have chosen exemplify some of these traits quit nicely. â€Å"Next, Please† This poem has a steady rhythm which is enhanced by the twelve rhyming couplets in its six quatrains. Upon reading the first stanza and even beyond that this rhyme and rhythm adds to the dark tone. The syntax and use of language also help convey the message of unconquerable doom that I feel is clearly apparent in this poem. Its use of imagery in relationship to the metaphors using commonplace things to describing peoples hopes and aspirations and eventual death I find very interesting and obviously the driving force of the poem. The Rhyme pattern of aa, bb, cc, dd, ee, ff, gg, hh, ii, jj, kk, ll along with the trochaic rhythm seems to move this poem solemnly from couplet to couplet. When one reads it to themselves or aloud theses characteristics seem to develop the poems dramatic theme. The syntax looks to help in the rhyming of the couplets. As shown in lines nine through ten â€Å"Yet still they leave us holding wretched stalk Of disappointment, for, though nothing balks.† The use of enjaments and endstoped lines throughout this poem although tricky for me to perform out loud I find still are an important and crucial in setting the tone and moving this piece along. The tone of this poem is introduced with the first two sentences â€Å"Always too eager for the future, we Pick up bad habits of expectancy. Something is always approaching; every day Till then we say.† Starting out with this bleak statement and then continuing on that path. The tone progresses from there by using the imagery to express the metaphors. The important images are the sparkling armada, which is a metaphor for the good fortune mankind awaits. The wretched stalks we hold being our contempt for those ships that hold our prize the one that we will never get. The ship of hope itself described in lines eleven through fourteen. Finally the last image in the last stanza is where the tone shifts a tad from being dark to now even a bit darker. The one ship that is seeking us, the black sailed ship towing nothing but silence and not even making a break. This image is most noticeably a reference to death. The poem in all is a metaphor sustained from begging to end (characteristics of an allegory) about the hopes people have and how we always wait though they never come to fruition. We wait for all the good we think is owed to us but the only thing that awaits us for sure is quite death. The next poem is â€Å"This Be The Verse,† which is comparatively different from the first poem. For starters there is no ongoing metaphor. The tone of this poem and the meaning are very forefront and out right. It has three stanzas all quatrains, its iambic; the rhyme scheme is ab, ab, cd, cd, ef,ef. I consider the tone of this poem to be a cynical warning about becoming a parent. It essentially says that know matter who you are or how you try you are going to â€Å"embarrass,† your kids up. He talks about how our parents were messed up by their parents by saying of â€Å"fools in old style hats and coats, who half the time were soppy stern and half at one another’s throat.† He uses the simile in line ten comparing the issues that are past down from parent to child â€Å"It deepens like a costal shelf.† With the final line saying what the whole poem insinuates and that is for no one to have any kids themselves. This poem uses strong language, rhyth m and rhyme superbly to get its message across.

Frida Kahlo and Edvard Munch essays

Frida Kahlo and Edvard Munch essays How have the artists communicated meaning when reacting to events in their life and/or exploring private emotions? Frida Kahlos The Broken Column 1944 and Edvard Munchs Evening on Karl Johan 1982. Frida Kahlos The Broken Column is portraying an image of her life and her experiences. Even though Frida Kahlo was thought to be a surrealist, she solely painted her reality that portrayed her mental and physical pain. Andre Breton, a surrealist poet, once actually remarked that Kahlo was a surrealist, but Kahlo denied arguing that she only painted her reality and her experiences of life. Although Kahlo was aware of the surrealist movement, she did not necessarily get involved with it. Kahlos paints were actually highly personal self-portraits that revealed the most painful aspects of her life. The most significant event in Kahlos life was the most tragic one as well. At the age of eighteen, she was involved in a serious bus accident that not only changed her for the duration, but that also changed her life; her body was almost ruined. Both her spinal column and pelvis were broken in three places. Not capable of leaving her bed, and with out many options to pass her time, Kahlo began painting; this was her only way of revealing her thoughts and exploring her innermost painful feelings, memories, and experiences. Kahlo spent the next three years of her life, as she was unable to move, painting and portraying the reality of her life; how it had changed and how helpless and incomplete she felt. One of the paintings that represented her feelings was The Broken Column. Edvard Munchs Evening on Karl Johan is a strange piece. It represents a feeling of anxiety. A strange thing about Munch is that he uses private symbolism through his artworks. Munchs symbolic image, finally free from represent faithfully and ban ...

English essay Example | Topics and Well Written Essays - 1000 words

English - Essay Example This indicates that the value on nutrition is very high, thus, influencing the trend of the consumer’s choice of diet (Hoyer & Macinnis, 2008). Humans have a tendency to pursue what is pleasurable for them and to avoid things that can be painful or upsetting (Mooij, 2004). This is the hedonistic nature of man that governs his behaviors and actions, and influences his decisions. This greatly influences that buying behavior of man, which when studied and analyzed can be helpful for understanding the trends that will be beneficial in creating new products or improving current products. This indicates that hedonism is influential in the choice of purchases of a consumer. This signifies that consumers tend to be attracted to those products that they consider pleasurable or beneficial for their wellbeing. It is then, important to consider giving the consumers what they need in fulfilling this value. Having the nutritional value of the food the restaurant serves implies value for the consumer’s needs. Whether the dish is nutritious or not, it allows the consumer to understand and to know what they eat, and the implications of what they are eating. With this, consumers feel that their needs and wants are served, and that their choices are important for the management of the restaurant. Giving out the nutritional value does not necessarily mean that the restaurant needs to indicate this in the menu. What is important is that there is nutritional value on the dishes within the restaurants that the customers will be able to notice. There is awareness that there is such information within their grasps and it will be their choice whether or not to check it. This will allow the restaurant to minimize loses, when the customer chooses not to order say a high-priced item which has more calories than usual but satisfies his craving for sweets because of the information

Solution for a problem in the contraction Essay Example | Topics and Well Written Essays - 250 words

Solution for a problem in the contraction - Essay Example All the same, the contract with the city managers was exclusively related to loans and the terms agreed had no mention of leases. As such, Wasserman’s lease deal was very attractive and promised Davenport huge profits. Therefore, leasing the property to Wasserman, who could then sublease to the tenants did not violate the terms of agreement; the immediate usage of the property would continue as agreed. Thus, Davenport would be right in leasing the property to Wasserman while at the same time respecting the loan terms not to change the usage or ownership of the property within the stipulated period. All the same, Davenport faces some unethical dilemma. Any contractual deal has to be in good faith and to the best interests of the two parties involved (Hellman 2011). As such, any change or implied change in terms of agreement breaches this good will and partially changes the terms of the investment in question. In the case above, though the agreement with the city managers did not address the issue of leases, leasing the property to Wasserman with the promise of the latter buying the property afterwards amounted to forfeiting the ownership of the property to the second owner, while at the same time pretending that the terms of the agreement were still intact, to benefit unethically from the mortgage waiver. Therefore, in the above deal, though Davenport was legally correct, there were some ethical issues involved in the deal with Wassermann. Helman, Christopher. Chesapeake Energy: Whats Up With These Lawsuits? Forbes. Jan 11, 2011. http://www.forbes.com/sites/christopherhelman/2011/01/21/chesapeake-energy-whats-up-with-these-lawsuits/ March 19,

Shawshank Redemption Essay Example for Free

Shawshank Redemption Essay The literary works such as novels, plays and short stories, have long inspired moviemakers to create films. Films based on these literary works usually draw more attention of the movie audiences or critics than the one not based on them. If a literary work is not well adapted into a film, a number of critics and viewers willingly rise to fulminate at its filmmakers for degrading the essence of its literary work. Also, a lot of people who read a book first usually have a certain bias that a movie inspired by it would not be any better than the book. Even though a film does achieve a superb adaptation from a literary work, many of them still tend to be more loyal to the book than the movie. Certainly, in order to dramatize the literary work and deliver its essence to the audiences in a limited time, a filmmaker has to change many of its detail settings and eliminate unnecessary characters. In addition, a screen writer has to simplify emblazoned descriptions of the book and rewrite it as dialogues to fit in the film through the process of the adaptation. In this process, there is the transformation from the language of words to the language of images. So, what is lost, and what is gained? A good way of finding an answer to this is to compare the film adaptation of the book with its original literary work that is the basis for the film. Novella, Rita Hayworth and Shawshank and Movie, The Shawshank Redemption Stephen King’s short story, Rita Hayworth and Shawshank, in Different Seasons, one of his collections published in 1982, is what the film, The Shawshank Redemption produced in 1994, is based upon. The movie, directed by Frank Darabont, is presented as if it is Ellis Boyd Redding’s (Morgan Freeman) story telling about Andy Dufresne (Tim Robins) convicted of murdering his wife and her lover. Ellis Boyd Redding, simply called Red, is a lifetime convict of Shawshank prison, telling you about Dufresne’s stay at Shawshank from his arrival to his escape. On the other hand, the novella is a little bit different format from that of the film. It is presented as a form of a document written by Red. He is looking back over twenty-five-year period of time, while writing, so the things that he described in the document have already happened. Due to this, the story is written as if it is told from someone. Basically, both the film and the book are very similar in terms of the story line. Even though there is the similarity of the plot, the film captivates the viewer more than that of the novella that seems to drag out for quite a bit. In fact, Frank Darabont’s adaptation of Rita Hayworth and Shawshank Redemption seems to convert an ordinary literary work into a cinematic masterwork. There are several elements that make it possible. The movie eliminates inessential characters to position major characters better, slightly modifies the story line and dialogue to strengthen the essence of the novella. In addition, it changes the role of certain characters to solidify their views. Overall, in The Shawshank Redemption, Darabont accomplishes a resplendent adaptation from the novella. Now, I would like to analyze what is gained and lost in the process of adaptation, comparing the both works in terms of these elements. Solidification of the Role of Certain Characters by Eliminating Inessential Characters If you read the book and watched the film, you would notice that there were many characters excluded from the book because they were simply not taking essential parts of the movie. They are only mentioned for a couple of times to explain a certain situation from the view point of Ellis Boyd Redding, who tells the story about Andy Dufresne and left behind the story soon. Darabont takes a resolute action to cut out these characters. In the book, while Andy’s serving in Shawshank, there is a constant change of different wardens who control the prison. By eliminating all the wardens, he removes a group of unnecessary characters at the same time. For example, there are several cruel, merciless wardens in the book; George Dunahy, Greg Stammas, and Samuel Norton (Bob Gunton). However, Dunahy does not even exist in the film, and neither does Stammas who was also a former guard in Shawshank. During Andy’s stay in the prison, the role of all wardens transformed and solidified into the last warden Norton. In the movie, Darabont only uses one warden, Norton to superintend Andy for the whole time of his stay in the Shawshank. If there was a frequent change of wardens in the film during Andy’s stay it would have confused the audiences, providing different focus to new wardens with their different characteristics. Another example is a brutal, cold-blooded guard, Byron Hadley (Clancy Brown). His role in the book seems obtrusive only in the part that Andy dare tries talking to him to save his tax payment when there is the roof sealing project on the rooftop of the prison. Then, soon later, he is retired from the prison in the middle of the story. Byron Hadley had gone two years earlier. The sucker had a heart attack and took an early retirement. (55) In the film, however, his role has always been a captain of the all guards during Andy’s stay, substituting for all chief guards from the book. Furthermore, his overall role of the film is much more prominent than that of the book. In other words, his role represents the Shawshank as a severe, notorious prison where cold-hearted guards watch over every movement of each prisoner. Instead of showing a number of vicious wardens and guards from the book, Darabont focuses on only these two major villainous characters, eliminating unnecessary characters. In addition, it ultimately provides the audiences time to develop the hatred and indignity against warden for numerous, evil and immoral deed they do. Not only wardens and guards but also some inmates in the book are eliminated as well in the film. For instance, there are three different prisoners, Sherwood Bolton, Ernie, and Brooks Hatlen, in the book. Unfortunately, Sherwood Bolton is gotten rid out of the film. He is a person who raises a crow named Jake until released from the prison. Maybe they set you loose someday, but†¦ well, listen: I knew this guy, Sherwood Bolton, his name was, and he had this pigeon in his cell. From 1945 until 1953, when they let him out, he had that pigeon. He wasn’t any Birdman of Alcatraz; he just had this pigeon. Jake, he called him. (26) Ernie, a sweeper of the cellblock, is another prisoner who used to do Red a favor only in the book by delivering contrabands such as a rock hammer which Andy asked Red for. Early the next morning, twenty minutes before the wake-up horn went off, I slipped the rock-hammer and a package of Camels to Ernie, the old trusty who swept the Cellblock 5 corridors until he was let free in 1956. He slipped it into his tunic without a word†¦ (31) The last person, Brooks Hatlen, has been a librarian in the prison for about 25 years. When he is paroled, Andy takes over his position in the library. A year later he is out from the Shawshank, he died in his home according to the book. He was working in the library then, under a tough old con named Brooks Hatlen. Hatlen had gotten the job back in the late twenties because he had a college education†¦ In prison, Brooksie had been a person of some importance. He was the librarian, an educated man†¦ I heard he died in a home for indigent old folks up Freeport way in 1953. (49) However, in the film, all three characters are taken the role of one person, Brooks Hatlen (James Whitmore), who eventually enables Darabont to eliminate first two characters as well as place more weight on the character of Hatlen in the film. In fact, the book makes him a headstrong person with no dialogue and no depth. On the other hand, the movie alters his character into a gentle, emotional person to make the audiences sympathize with him. After released, he hangs up himself, dramatizing it to be one of the grievous scenes in the film as well as emphasizing on what Red means by â€Å"institutionalized†: â€Å"First you hate them, then you get used to them. Enough time passes you get so you depend on them. That’s â€Å"institutionalized. They send you here for life. That’s exactly what they take. Part that counts, anyway. † There is also a very distracting character in the book, among various inessential characters eliminated in the film; Normadden. But in all that time Andy never had a cellmate, except for a big, silent Indian named Normaden (like all Indians in The Shank, he was called Chief), and Normaden didn’t last long. (54) Normaden was moved out, and Andy was living in solitary splendor again. 55) In the book, Andy shares a room with Normadden, a native Indian cellmate for a short period of time. If his character was appeared in the film, it would detract the view of the audiences from the mysterious character of Andy who spends most of his time enjoying being alone. In the film, moreover, he might have been left as a latent character which no one would pay attention to. Modification of Certain Plots and Dialogues Fat-Ass keeps blubbering and wailing. Total freak-out. Hadley draws his baton, gestures to his men. Open it. A GUARD unlocks the cell. Hadley pulls Fat-Ass out and starts beating him with the baton, brutally raining blows. Fat-Ass falls, tries to crawl. The place goes dead silent. All we hear now is the dull THWACK-THWACK-THWACK of the baton. Fat-ass passes out. Hadley gets in a few more licks and finally stops. This is what happens on the first day of Andy’s stay in the prison. It almost delivers the audience an infernal atmosphere of the Shawshank prison. In the book, on the other hand, almost nothing about Andy’s first day in the prison is presented although Red later mentions how new comers cry in tears at first night. First-timers usually have a hard time adjusting to the confinement of prison life. They get screw-fever. Sometimes they have to be hauled down to the infirmary and sedated a couple of times before they get on the beam. It’s not unusual to hear some new member of our happy little family banging on the bars of his cell and screaming to be let out†¦ and before the cries have gone on for long, the chant starts up along the cell-block: â€Å"Fresh fish, hey little fishie, fresh fish, fresh fish, got fresh fish today! † Andy didn’t flip out like that when he came to The Shank in 1948, but that’s not to say that he didn’t fell many of the same things. (93) Even though this scene of Hadley beating a fat new prisoner to death is not in the book, but only created in the film, it seems a good representation of the Shawshank. Another example is the way Andy is getting out of gang rape from Bobs Diamond (Mark Rolston) and their â€Å"Sisters. † In the film, when Diamonds fails to let Andy submit to him, Andy rather contempt his ignorance, so he ends up with being beaten. After the mobbing, when Diamonds returns to his cell, a captain guard Hadley clubs him to severe injury because he cannot save his tax without Andy. Eventually, Diamonds is transferred to another prison for serious injury, which gives the audiences some sort of a justice at the moment. In the book, however, Red describes Andy might bribe guards to gets rid of Bogs. Bogs Diamonds left off that summer, all at once. That was strange thing. Bogs was found in his cell, badly beaten, one morning in early June, when he didn’t show up in the breakfast nose-count. He wouldn’t say who had done it, or how they had gotten to him, but being in my business, I know that a screw can be bribed to do almost anything except get a gun for an inmate†¦ A guard could have been bribed real easy to let someone – may be two or three someones – into the block, and, yes, even into Diamond’s cell†¦ I’m not saying it was Andy Dufresne, but I do know that he brought in five hundred dollars when he came, and he was a banker in the straight world- a man who understands better than the rest of us the ways in which money can become power. 35) Although this part in the book may be more realistic to the truth, if it was directly adapted into the movie, it would not have the same impact to the audiences. There is a dramatic example of plot and dialogue change; when Tommy Williams (Gil Bellows) is killed by Hadley on the Norton order. Williams is happened to tell Andy that the Elmo Blatch (Bill Bolender) is the guy who murdered his wife and her lover. Although Andy has a chance to get a new trial with his testimony, Norton rather put him into the solitary, not giving him a chance for a new trial. In the meantime, Norton transfers Williams to the light security prison in a different county for concealing the information that can give Andy a new trial and release him. â€Å" This is a dialogue that Norton and Andy have in Norton’s office after Andy is done with a month of solitary stay that Norton ordered. It is because Andy mentioned a word â€Å"obtuse† to the attitude of Norton who does not concern his chance of new trial. However, in the film, the sequence is a little bit transformed into a different place. In other words, this is not what happened to Williams. Norton tries to let him forget about his hope and chance of new trial and release. The similar dialogue scene in the book is shot at a solitary where Andy has already been served for a month in the movie. Even though Norton orders Hadley to shoot Willams at the prison yard when he does not notice it, he lies to Andy that he is killed because of his escape. â€Å"I’m sure by now you heard. Terrible thing. A man that young, less than a year ago trying to escape, broke Captain Hadley’s heart to shoot him. Truly it did. We just have to put it behind us. Move on. † This scene makes the audience harden their hatred for the warden and loathe brutality of his character more. Transformation of this part eventually strengthens the vicious character of Warden and Hadley, making the audience impossible to feel sympathy for them. This sequence in the film is significant because it leads Andy to feel extremely resentful, igniting him to escape whereas the dialogue in the book simply does not carry such an allusion of his escape at the moment. As the story towards the ending, there is more heart-twisting in the film than in the book, especially when the audiences make an assumption that Andy commits suicide. It is because Andy talks strangely, bringing up Mexico, Red is told Heywood gave Andy a length of rope, and a guard is walking up to look for Andy in the next morning roll call. Then, when the guard finds that Andy escaped, it almost feels like the load off. A MAN is meticulously stripping the old paint and varnish by hand, face hidden with goggles and kerchief mask. Red appears b. g. , a distant figure walking out across the sand, wearing his cheap suit and carrying his cheap bag. The man on the boat pauses. Turns slowly around. Red arrives with a smile as wide as the horizon. The other man raises his goggles and pulls down his mask. Andy, of course. They hug each other. Ending with a panorama view of the blue vast ocean, the audience is finally able to feel relieved and happy for Andy and Red meeting up together. As other examples of plot changes, this scene is also never described in the book. At the end of the book, Red writes, like he says in the film, â€Å"I hope the Pacific is as blue as it has been in my dreams. I hope. † (107) In fact, the Pacific is only as blue as the reader thinks and as beautiful as Red expects it to be. In other words, the end of the novella makes the reader hope more that Red makes it to Zihautanejo and meets Andy, ending with â€Å"I hope. † This is absolutely what is gained in the film, but lost in the book. Like many other films inspired by their original literary works, the film, The Shawshank Redemption, is also inspired by the novella, Rita Hayworth and Shawshank Redemption written. Basically, the movie is based on the language of Stephen King, but through Frank Darabont’s adaptation of the novella, we see the transformation from the language of words to the language of images in his film. As for the question earlier, â€Å"what is gained and lost? † in the process of this transformation, Darabont answers through his movie. His adaptation presents some changes that strengthen the movie without any digression from the original literary work. In fact, the overall essence of the story is described better by the movie. Elimination of unnecessary characters, alteration of the role of certain characters, and modification of certain plots and dialogues make it possible. As a matter of fact, despite these alterations, the differences between both works do not seem much disturbing in terms of the story line after all. Maybe this is what Robert Altman means by â€Å"Cinematic equivalents of literary material manifest themselves in unexpected ways. †

The Abortion Debate in the 2004 Presidential Election :: Politics Political Essays

The Abortion Debate in the 2004 Presidential Election Abortion is a major issue that affects individual lives daily. It has become a debatable factor in determining the solution in having the free choice for a woman to abort their unborn baby. Even though it was not fully recognized in the presidential election, there was discussion as to whether or not it is morally right to perform this practice. President Bush believes that aborting an unborn baby is morally wrong because he believes in protecting the rights of the unborn and believes that partial birth abortion is a vicious act that discriminates against children who are inches away from life. On the opposing side is Senator Kerry, who believes that aborting an unborn child should be permitted because he believes in protecting women’s choices and enforcing women’s privacy rights. President Bush believes banning abortion except for the cases in rape, incest, or to save the mothers’ life. He believes in the rights of the unborn and born baby. In 2003, President Bush signed the Partial Birth Abortion Ban Act of 2003, which prohibits the practice that â€Å"performs the overt act, other than completion of delivery that kills the partially delivered living fetus.† (http://www.theorator.com/bills108/hr1545.html). By President Bush signing this act he explained that there would be the termination of this terrible act in killing innocent lives that are about to come in the world. â€Å"The bill I am about to sign protecting innocent new life from this practice reflects the compassion and humanity of America.† (http://www.whitehouse.gov/news/releases/2003/11/20031105-1.html). His main goal is to reduce the numbers of abortions in America. (http://www.issues2000.org/George_W__Bush_Abortion.htm). Senator Kerry believes that it is not the issue of pro-abortion but the issue of pro-choice. He believes that every woman should have the right of choice, which is taken away from her resulting in banning abortion. â€Å"My personal belief about what happens in the fertilization process is a human being is first formed and created, and that's when life begins† (http://www.sonrisecma.com/blogs/sonrise3/archive/2004/07/22/611.aspx). He believes that the government should not have a right to intervene in somebody else judgment and quotes on Bill Clinton statement that â€Å"Abortion should be rare, but it should be safe and legal and the government should stay out of the bedroom.†(http://www.npr.org/politics/issues2004/) He believes that enforcing women’s privacy rights would let the mother decide to abort her unborn baby or not. Liberal is pro-abortion and Conservation is anti-abortion. In both opposing sides, there are alternatives that relates to abortion.

On Becoming A Leader Essay

Nowadays, the title of â€Å"leader† seems to be sloppily thrown here and there. For the inexperienced eye, if someone seems to be the dominant individual in a group, people automatically ascribe the term to the person. Nowadays, it seems to be more of having a title than meeting that title’s responsibilities. It is imperative for a leader to know what enables his leadership; he should know how he had come to that position. In retrospect, a good study of the great leaders has amounted to a list of qualities that they innately possess. Bennis, (2003) in his book, â€Å"On Becoming A Leader† talks about what it takes to become a leader. There are different so-called â€Å"ingredients† that the author attributes the greatness of those people who have been worth enough to be called leaders of their generation. He speaks of ingredients such as guiding vision wherein a leader knows where he is going and knows how to get there. It is the proverbial horizon that the leader looks to. Another ingredient is passion—it is an enduring love for what he is doing. The author also speaks about integrity and being honest to oneself. He talks about the importance of doing away with self-deception and aligning one’s thoughts with one’s words and actions. He adds curiosity and a daring attitude to the mix as he stresses the importance of learning how to not be satisfied with the status quo by taking on challenges which have real-life risks. Finally, he closes with one of the most poignant traits that a leader must have. He bases his findings on a simple, yet hard-to-define element: trust. The author gives several reasons why it is important for a leader to be trustworthy. This trait essentially speaks of a leader’s integrity and how he deals with other people. Bennis says that it is one of the qualities that can only be earned and not acquired. It is given freely by the leader’s peers and followers. (Bennis, 2003) Trust is said to be one of the essentials that a leader needs in order to have his or her group up and running. Like a car without fuel, a leader will not be able to function if those under the leadership do not trust him. More than anything, this is the most vital part of any type of leadership. If the people are unable to follow the leader because they do not trust him or her, then it would be better if there was no one to follow at all. Apart from trust, all of the other ingredients are learned. Ordinary people will eventually learn how to look at the big picture and become accountable to themselves and to others. Leaders-to-be will eventually engender a love and a passion for what it is that they do but on of the things that cannot be learned is the trust that comes with responsibility. To be able to look at one’s follower and have that person say to you, â€Å"I trust you† is one of the most precious ingredients a leader can ever have. It is the cherry on top of everything else—the so-called icing on the cake without which everything will simply be ordinary and out-of-the-box. With all of the talk of having certain qualities that a leader needs to have, all of the ingredients are important but none as important as the trust that is earned by a leader.

“Tears, Idle Tears”

The speaker sings of the baseless and inexplicable tears that rise in his heart and pour forth from his eyes when he looks out on the fields in autumn and thinks of the past. This past, (â€Å"the days that are no more†) is described as fresh and strange. It is as fresh as the first beam of sunlight that sparkles on the sail of a boat bringing the dead back from the underworld, and it is sad as the last red beam of sunlight that shines on a boat that carries the dead down to this underworld. The speaker then refers to the past as not â€Å"fresh,† but â€Å"sad† and strange.As such, it resembles the song of the birds on early summer mornings as it sounds to a dead person, who lies watching the â€Å"glimmering square† of sunlight as it appears through a square window. In the final stanza, the speaker declares the past to be dear, sweet, deep, and wild. It is as dear as the memory of the kisses of one who is now dead, and it is as sweet as those kisses that we imagine ourselves bestowing on lovers who actually have loyalties to others. So, too, is the past as deep as â€Å"first love† and as wild as the regret that usually follows this experience.The speaker concludes that the past is a â€Å"Death in Life. † Form This poem is written in blank verse, or unrhymed iambic pentameter. It consists of four five-line stanzas, each of which closes with the words â€Å"the days that are no more. † Commentary â€Å"Tears, Idle Tears† is part of a larger poem called â€Å"The Princess,† published in 1847. Tennyson wrote â€Å"The Princess† to discuss the relationship between the sexes and to provide an argument for women’s rights in higher education. However, the work as a whole does not present a single argument or tell a coherent story.Rather, like so much of Tennyson’s poetry, it evokes complex emotions and moods through a mastery of language. â€Å"Tears, Idle Tears,† a particula rly evocative section, is one of several interludes of song in the midst of the poem. In the opening stanza, the poet describes his tears as â€Å"idle,† suggesting that they are caused by no immediate, identifiable grief. However, his tears are simultaneously the product of a â€Å"divine despair,† suggesting that they do indeed have a source: they â€Å"rise in the heart† and stem from a profoundly deep and universal cause.This paradox is complicated by the difficulty of understanding the phrase â€Å"divine despair†: Is it God who is despairing, or is the despair itself divine? And how can despair be divine if Christian doctrine considers it a sin? The speaker states that he cries these tears while â€Å"looking on the happy autumn-fields. † At first, it seems strange that looking at something happy would elicit tears, but the fact that these are fields of autumn suggests that they bear the memories of a spring and summer that have vanished, lea ving the poet with nothing to look forward to except the dark and cold of winter.Tennyson explained that the idea for this poem came to him when he was at Tintern Abbey, not far from Hallam’s burial place. â€Å"Tintern Abbey† is also the title and subject of a famous poem by William Wordsworth. (See the â€Å"Tintern Abbey† section in the Spark Note on Wordsworth’s Poetry. ) Wordsworth’s poem, too, reflects on the passage of time and the loss of the joys of youth. However, whereas Tennyson laments â€Å"the days that are no more† and describes the past as a â€Å"Death in Life,† Wordsworth explicitly states that although the past is no more, he has been compensated for its loss with â€Å"other gifts†: That time is past,And all its aching joys are now no more And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense. Thus, although bot h Wordsworth and Tennyson write poems set at Tintern Abbey about the passage of time, Wordsworth’s poem takes on a tone of contentment, whereas Tennyson’s languishes in a tone of lament. â€Å"Tears, Idle Tears† is structured by a pattern of unusual adjectives used to describe the memory of the past.In the second stanza, these adjectives are a chiastic â€Å"fresh†¦sad†¦ sad†¦ fresh†; the memory of the birth of friendship is â€Å"fresh,† whereas the loss of these friends is â€Å"sad†; thus when the â€Å"days that are no more† are described as both â€Å"sad† and â€Å"fresh,† these words have been preemptively loaded with meaning and connotation: our sense of the â€Å"sad† and â€Å"fresh† past evokes these blossomed and withered friendships. This stanza’s image of the boat sailing to and from the underworld recalls Virgil’s image of the boatman Charon, who ferries the dead to Hades. In the third stanza, the memory of the past is described as â€Å"sad†¦strange†¦ sad†¦ strange. †The â€Å"sad† adjective is introduced in the image of a man on his deathbed who is awake for his very last morning. However, â€Å"strangeness† enters in, too, for it is strange to the dying man that as his life is ending, a new day is beginning. To a person hearing the birds’ song and knowing he will never hear it again, the twittering will be imbued with an unprecedented significance—the dying man will hear certain melancholy tones for the first time, although, strangely and paradoxically, it is his last.The final stanza contains a wave of adjectives that rush over us—now no longer confined within a neat chiasmic structure—as the poem reaches its last, climactic lament: â€Å"dear†¦ sweet†¦ deep†¦ deep†¦ wild. † The repetition of the word â€Å"deep† recalls the â€Å"depth of some divine despair,† which is the source of the tears in the first stanza. However, the speaker is also â€Å"wild with all regret† in thinking of the irreclaimable days gone by.The image of a â€Å"Death in Life† recalls the dead friends of the second stanza who are like submerged memories that rise to the surface only to sink down once again. This â€Å"Death in Life† also recalls the experience of dying in the midst of the rebirth of life in the morning, described in the third stanza. The poet’s climactic exclamation in the final line thus represents a culmination of the images developed in the previous stanzas. Tears, Idle Tears The speaker sings of the baseless and inexplicable tears that rise in his heart and pour forth from his eyes when he looks out on the fields in autumn and thinks of the past. This past, (â€Å"the days that are no more†) is described as fresh and strange. It is as fresh as the first beam of sunlight that sparkles on the sail of a boat bringing the dead back from the underworld, and it is sad as the last red beam of com/online/">sunlight that shines on a boat that carries the dead down to this underworld. The speaker then refers to the past as not â€Å"fresh,† but â€Å"sad† and strange.As such, it resembles the song of the birds on early summer mornings as it sounds to a dead person, who lies watching the â€Å"glimmering square† of sunlight as it appears through a square window. In the final stanza, the speaker declares the past to be dear, sweet, deep, and wild. It is as dear as the memory of the kisses of one who is now dead, and it is as sweet as thos e kisses that we imagine ourselves bestowing on lovers who actually have loyalties to others. So, too, is the past as deep as â€Å"first love† and as wild as the regret that usually follows this experience.The speaker concludes that the past is a â€Å"Death in Life. † Form This poem is written in blank verse, or unrhymed iambic pentameter. It consists of four five-line stanzas, each of which closes with the words â€Å"the days that are no more. † Commentary â€Å"Tears, Idle Tears† is part of a larger poem called â€Å"The Princess,† published in 1847. Tennyson wrote â€Å"The Princess† to discuss the relationship between the sexes and to provide an argument for women’s rights in higher education. However, the work as a whole does not present a single argument or tell a coherent story.Rather, like so much of Tennyson’s poetry, it evokes complex emotions and moods through a mastery of language. â€Å"Tears, Idle Tears,† a particularly evocative section, is one of several interludes of song in the midst of the poem. In the opening stanza, the poet describes his tears as â€Å"idle,† suggesting that they are caused by no immediate, identifiable grief. However, his tears are simultaneously the product of a â€Å"divine despair,† suggesting that they do indeed have a source: they â€Å"rise in the heart† and stem from a profoundly deep and universal cause.This paradox is complicated by the difficulty of understanding the phrase â€Å"divine despair†: Is it God who is despairing, or is the despair itself divine? And how can despair be divine if Christian doctrine considers it a sin? The speaker states that he cries these tears while â€Å"looking on the happy autumn-fields. † At first, it seems strange that looking at something happy would elicit tears, but the fact that these are fields of autumn suggests that they bear the memories of a spring and summer that have vanished, leaving the poet with nothing to look forward to except the dark and cold of winter.Tennyson explained that the idea for this poem came to him when he was at Tintern Abbey, not far from Hallam’s burial place. â€Å"Tintern Abbey† is also the title and subject of a famous poem by William Wordsworth. (See the â€Å"Tintern Abbey† section in the Spark Note on Wordsworth’s Poetry. ) Wordsworth’s poem, too, reflects on the passage of time and the loss of the joys of youth. However, whereas Tennyson laments â€Å"the days that are no more† and describes the past as a â€Å"Death in Life,† Wordsworth explicitly states that although the past is no more, he has been compensated for its loss with â€Å"other gifts†: That time is past,And all its aching joys are now no more And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense. Thus, although both Wordsworth and Tennyson write poems set at Tintern Abbey about the passage of time, Wordsworth’s poem takes on a tone of contentment, whereas Tennyson’s languishes in a tone of lament. â€Å"Tears, Idle Tears† is structured by a pattern of unusual adjectives used to describe the memory of the past.In the second stanza, these adjectives are a chiastic â€Å"fresh†¦Ã‚  sad†¦ sad†¦ fresh†; the memory of the birth of friendship is â€Å"fresh,† whereas the loss of these friends is â€Å"sad†; thus when the â€Å"days that are no more† are described as both â€Å"sad† and â€Å"fresh,† these words have been preemptively loaded with meaning and connotation: our sense of the â€Å"sad† and â€Å"fresh† past evokes these blossomed and withered friendships. This stanza’s image of the boat sailing to and from the underworld recalls Virgil’s image of the boatman Charon, who ferries the dead to Hades.In the third stanza, the memory of the past is described as â€Å"sad†¦Ã‚  strange†¦ sad†¦ strange. † The â€Å"sad† adjective is introduced in the image of a man on his deathbed who is awake for his very last morning. However, â€Å"strangeness† enters in, too, for it is strange to the dying man that as his life is ending, a new day is beginning. To a person hearing the birds’ song and knowing he will never hear it again, the twittering will be imbued with an unprecedented significance—the dying man will hear certain melancholy tones for the first time, although, strangely and paradoxically, it is his last.The final stanza contains a wave of adjectives that rush over us—now no longer confined within a neat chiasmic structure—as the poem reaches its last, climactic lament: â€Å"dear†¦ sweet†¦ deep†¦ deep†¦ wild. † The repetition of the word â€Å"deep† recalls the â€Å"depth of some divine despair,† which is the source of the tears in the first stanza. However, the speaker is also â€Å"wild with all regret† in thinking of the irreclaimable days gone by.The image of a â€Å"Death in Life† recalls the dead friends of the second stanza who are like submerged memories that rise to the surface only to sink down once again. This â€Å"Death in Life† also recalls the experience of dying in the midst of the rebirth of life in the morning, described in the third stanza. The poet’s climactic exclamation in the final line thus represents a culmination of the images developed in the previous stanzas.

Free Essays on Cat on a Hot Tin Roof

Jennifer Sebik EC2-1PM Essay #4- â€Å"Cat On A Hot Tin Roof† April 13th, 2004 The dominant morality in Tennessee Williams’ â€Å"Cat on a Hot Tin Roof† can not be discussed in terms of a single, easy-to-understand theme. Rather, I detected a number of disturbing themes in this play which, unfortunately, also seem to be present in our modern society. These themes explain much of the behavior we see today, both in our elected officials and in our own private lives. They include the willingness to engage in back-stabbing and flattery to get what we want, the attempt to escape reality by indulging in alcohol and drugs, the tendency for married couples to remaining together in meaningless or even violent relationships, and the tendency of people who become materially wealthy to turn into evil people. One of the most obvious moral conflicts in â€Å"Cat on a Hot Tin roof† is visible in the campaign by Gooper and Mae to gain the favor of Big Daddy, while at the same time discrediting Brick and Margaret. They try to twist the facts in order to portray themselves to Big Daddy as the most qualified heirs for the inheritance. For instance, they try to imply that just because they have five children with a sixth on the way, they are therefore responsible family people who will take good care of the plantation. At the same time, they cleverly argue that because Brick and Margaret have no children, they would not be responsible in managing a large estate. Gooper and Mae act as a public relations team, flattering Big Daddy while tearing down their competitors at every opportunity. They excel in back-stabbing and flattery, yet they are always careful to maintain the appearance of being polite and civilized. I don’t think we have to look very far in our own world to see the consequences of a society which approves of back-stabbing and flattery as a way of â€Å"getting ahead.† All the world’s newspaper headlines are full of stor... Free Essays on Cat on a Hot Tin Roof Free Essays on Cat on a Hot Tin Roof Jennifer Sebik EC2-1PM Essay #4- â€Å"Cat On A Hot Tin Roof† April 13th, 2004 The dominant morality in Tennessee Williams’ â€Å"Cat on a Hot Tin Roof† can not be discussed in terms of a single, easy-to-understand theme. Rather, I detected a number of disturbing themes in this play which, unfortunately, also seem to be present in our modern society. These themes explain much of the behavior we see today, both in our elected officials and in our own private lives. They include the willingness to engage in back-stabbing and flattery to get what we want, the attempt to escape reality by indulging in alcohol and drugs, the tendency for married couples to remaining together in meaningless or even violent relationships, and the tendency of people who become materially wealthy to turn into evil people. One of the most obvious moral conflicts in â€Å"Cat on a Hot Tin roof† is visible in the campaign by Gooper and Mae to gain the favor of Big Daddy, while at the same time discrediting Brick and Margaret. They try to twist the facts in order to portray themselves to Big Daddy as the most qualified heirs for the inheritance. For instance, they try to imply that just because they have five children with a sixth on the way, they are therefore responsible family people who will take good care of the plantation. At the same time, they cleverly argue that because Brick and Margaret have no children, they would not be responsible in managing a large estate. Gooper and Mae act as a public relations team, flattering Big Daddy while tearing down their competitors at every opportunity. They excel in back-stabbing and flattery, yet they are always careful to maintain the appearance of being polite and civilized. I don’t think we have to look very far in our own world to see the consequences of a society which approves of back-stabbing and flattery as a way of â€Å"getting ahead.† All the world’s newspaper headlines are full of stor...

Are Book Signings Too Old-Fashioned

Are Book Signings Too Old-Fashioned This past week, a new author with a newly-released book asked how I approached libraries about holding a book signing. The question took me aback a second, because from my experiences over these last few years, theres almost no such thing as just a signing anymore. Out of my response to her, I molded this weeks essay. First, I dont ask libraries for a book signing. I suggest a presentation for their customers. While books are set up in the back of the room for sale, thats not the point of the event. Libraries are educational, and writers have to think beyond just autographs. Signings When I appear at libraries, Im teaching writing, editing, publishing, marketing, and mysteries, not appearing to talk about s elling my books. Thats not to say that my books arent woven into the presentation. But your chances improve for acceptance if you approach libraries with more opportunity for them than for you. The author responded that she didnt want to promote herself, only wanted readers to buy the book. So I replied: If readers only wanted the book, they wouldnt want the signatures or the appearances and would just order the thing from Amazon. Readers want more of authors these days. They want to know the details behind the book, behind the author. Promotion is a big deal  with so many people writing a book. Consider these appearances as events, more than book selling. Otherwise, you will continue selling five books here and five books there forever. There have been events where I sold not a single bookhowever, I found ways to have my appearance paid for. Yes, Im am paid to appear at most library functions. My library events alone were about $8,000 of my income this year, because I was willing to speak about writing, publishing, editing, and the magic behind mysteries, making the books secondary. Its a balance, and you learn as you go. Become more than the author of a book. Assure librarians you are there for them. Become a professional author with the book being a tool. Thats how you begin accruing  a writing income.

Written Business Communication (Assignment #3A) Assignment

Written Business Communication ( #3A) - Assignment Example The reader might follow the instructions if things were forced on them, but they would not do it whole-heartedly. The employees should, therefore, be treated with the utmost respect, so as to uphold a mutually beneficial working environment. This message will be received with mixed emotions; some people may seize the opportunity to know their well-being while others may ignore the whole exercise all together. However, highlighting the benefits, the necessity and incentives for taking the blood test will move the doubters and cynics to take the blood tests. Some of the readers might not book appointments at first, but when they see their fellow colleagues making the appointments, they will definitely join in the exercise. The best pattern of organization of this message is that of an internal memo. This is because not all people look at their emails on time. The memo will be easily visible to all employees through the internal information systems. However, the best pattern of organization of the reader response is through email. This is because emails are faster, and convenient for the human resource since they constantly communicate through emails. It is a company’s attention that most, if not a few of the employees are reluctant with regards to the blood test exercises that the company seeks to carry out on its employees; It is evident that most of you find this exercise as an invasion of privacy, and probably an infringement of personal rights. Due to the above mentioned reason, company has decided to make this a voluntary exercise for you. However, it is important to bring out some facts and figures about the blood tests carried out by American Health ways; these tests are carried out not only for cost reduction purposes, but for the overall health benefit of the employees. Taking these blood tests ensures that the individual becomes aware of their overall well-being, and also acts as a precaution in the early phases of

Syphillis Research Paper Example | Topics and Well Written Essays - 1000 words

Syphillis - Research Paper Example Syphilis is a bacterial infection that is primarily spread through sexual contact, but can also be transmitted from mother to fetus while in the womb or during birth resulting to congenital syphilis. It usually starts out as a painless sore that can be found on the genital area, rectum, or the mouth. Without treatment, syphilis can result to irreversible damage to the brain, nerves or body tissues. This disease has many times been known as â€Å"the great imitator† because its many signs and symptoms are identical from those of other diseases. Sir William Osler stated that â€Å"The physician who knows syphilis knows medicine.† (Rudkin and Blasko, 2011) The causative agent for syphilis is an organism known as Treponema pallidum. This is a gram-negative spirochete and is a parasite. It ranges from 6-20 um, while its diameter ranges from 18-20 um. It is a microaerophilic agent and requires low concentrations of oxygen. This bacterium is corkscrew shaped and has no animal or environmental reservoirs. This organism is usually acquired and spread by close sexual contact, entering the host through openings in squamous or columnar epithelium. It gains access to the blood and lymph systems through mucus membranes. (Dandelin, 2009) Treponema pallidum has four known subspecies which cause different illnesses. The first is Treponema pallidum pallidum, which causes syphilis. The second one is Treponema endemicum, which causes endemic syphilis. The third is Treponema pallidum carateum, which has been known to cause pinta, which is a human skin disease endemic commonly found in Mexico, Central America and South America. The last sub specie is Treponema palidum pertenue which causes yaws. Yaws is a long-term infection that mainly affects the skin, bones and joints. (Doran and Nowadly, 2010) Humans are the only known reservoir for T. pallidum. The portal of entry into the host is mucus membranes. It is transmitted almost always through sexual contact with an infe cted partner. After the spirochetes pass the barrier, they are carried through the bloodstream to every organ of the body. About three to four weeks after the bacteria has gained entrance into the new host, a lesion will form at the point of contact, which is known as a chancre. It usually presents as a firm, painless, skin ulceration with a diameter of 0.3-3 cm in size. This lesion will refuse to go away for about five weeks then eventually will heal spontaneously. This is known as the primary stage. (Brown, 2011) About six weeks later, a localized cutaneous eruption may appear. This is the secondary stage, and there may be many different manifestations. The main characteristics of this stage are skin rash and mucus membrane lesions. There may be other symptoms such as fever, sore throat, and weight loss, feelings of body malaise, hair loss and even headache. At this stage, the infection spreads to the rest of the body. The rash may spread to the feet, the back, or the hands. Somet imes, the rashes that occur with syphilis are so small that they can go unnoticed. One of the dangers of this disease is that the signs and symptoms will resolve with or without treatment, which may lead one to think that the problem is gone; but without treatment, the infection will progress to the latent and possibly late stages of disease. (Dandelin,